• Skip to main content

MENU
  • Kea for business
  • Kea Connect
  • A service facilitating crucial introductions between businesses and industry experts
  • Kea for you
  • Becoming a member
  • Join Kea's global community and stay connected to home wherever you are
  •  
  • Jobs
  • Find and post local and international opportunities
  •  
  • Events
  • Connect with Kiwi through local, international and virtual events

  • Kea and our community
  • About Kea
  • Kea Partners
  • Contact
  • News and resources
  • Latest
  • World Changing Kiwi
  • Kiwi coming home
  •  
  • Kea Connect success stories
  • Businesses growing at home
  • Businesses going global
  •  
  • Global Kiwi
  • Launching your global career
  • COVID-19 recovery
  • World Class New Zealand
  • World Class New Zealand Network
  • Award winners 2023
  • Award winners 2022
  • Award winners 2021
  • Gallery 2023
  • Gallery 2022
  • Gallery 2021
  • Gallery 2019
  •  
  •  
  •  
Kea New Zealand

JOIN MY KEA
Kea New Zealand
JOIN MY KEA
  • Home
  • Kea for business
  • Kea for you
  • Jobs
  • Events
  • News and resources
  • World Class New Zealand
    • World Class New Zealand Network
    • Award winners 2023
    • Award winners 2022
    • Award winners 2021
    • Gallery 2023
    • Gallery 2022
    • Gallery 2021
    • Gallery 2019
  • About Kea
    • Kea Partners
    • Contact

Sign into My Kea

Register
Forgot your password?

Don't have an account?

This is available exclusively to our Kea community. Log in below or join our vibrant and diverse community of Kiwi explorers.

Join us Login

tall poppy syndrome

Previously a youth worker, Jay has worked with kids for most of his life and has seen first hand the impacts of New Zealand’s mental wellbeing crisis. However, it wasn’t until he travelled to the UK in 2018 that he started to really question why.

“People I met overseas couldn’t understand how living on a beautiful, isolated island at the bottom of the world could hold such dark issues with mental wellbeing. I told them that we have one of the highest suicide rates in the world and that 25% of our young people are depressed, anxious and fatigued. They didn’t understand how that could add up. It made me angry about the state of our nation, I knew it was wrong, and I knew I had to do something about it.”

Jay started having some serious conversations about tall poppy syndrome with some of those who experience it most frequently – Kiwi sporting stars and kids in schools.

“I went and surveyed 500 teenagers and asked them what would make them most comfortable, if I put them down and called them an idiot, or if I gave them a compliment. Seven out of 10 chose the insult, I just remember thinking how broken that was. I also spoke to some of our sporting elite like Gold winning Winter X Games athlete Jossi Wells who told me a big part of the reason he spends so much time offshore is to remove himself from the criticism he receives in New Zealand, former All Blacks Coach Steve Hanson feels tall poppy syndrome is one of the most critical conversations we need to have as a nation, and UFC middleweight champion Israel Adesanya is so passionate about it he called the phenomenon out during his Sportsman of the Year speech at the 2019 Halberg Awards.”

Jay Geldard and Kiwi actor/comedian Chris Parker

And it’s not just kids and famous Kiwi, Jay says he’s also spoken to a number of returnees who come home to New Zealand and feel trapped by the culture.

“Kiwi who come home say they feel like they have to downplay everything they have achieved. Some even consider not coming home because of it. That has to change, we should be creating an environment where, when New Zealanders come home, we celebrate them representing us on the world stage.”

To support his work Jay has got some big names on board including top Neuroscience Educator Nathan Wallis who says tall poppy syndrome is stopping people from becoming their best.

“Tall poppy syndrome is harmful, because kids get this idea that it’s not okay to dream big. And I think that’s that culture kicking in, telling them you’re not supposed to stand out above your peers. Dreaming is just such a basis of everything we achieve, you achieve what you dream for, and if you dream mediocre because you have been taught by everybody else that that’s what you are supposed to do then you achieve mediocre. So many people could be successful if we didn’t have this culture that told them, “no you can’t.”

E Tū Tāngata became a stand-alone charity in 2023 and Jay says they have already made significant strides, transforming the lives of Kiwi youth and adults alike by challenging the culture through modules and workshops in schools and organisations.

A school principal working with the E Tū Tāngata organisation recently shared that a troubled student, after being told he was valuable during a tense moment, expressed appreciation for the school seeing his value even when angry. Since working with the charity that same school has seen attendance rates rise from 40% to 90%.

At another school a teacher began asking her students to write down what part of themselves they were proud of each day, the notes were placed on the classroom wall as a reminder. The teacher told Jay one of her students continues this practice in her bedroom at home and has a wall full of notes that remind her of her value everyday.

“These are just a couple of examples of us tackling tall poppy syndrome, and it’s proof it’s working. It’s working for teachers and students, and that impact filters out to others. We have nothing to lose by telling people they have value, because we’ve spent generations not doing it.”

If you’d like to find out more about E Tū Tāngata and support the work they do you can visit their website.

Filed Under: World changing Kiwi Tagged With: e tu tangata, Jay Geldard, New Zealand mental health, nz charity, nz mental health, nz mental wellbeing, tall poppy syndrome

Can you tell us a bit about Symbolically Kiwi?

Symbolically Kiwi is a movement. It’s an effort to change NZ culture into one that celebrates success, dreams big, and encourages one another to try difficult things.

Symbolically Kiwi is an interactive art exhibition. We’re featuring world class kiwis who are leading in their respective fields. I’ve created an art piece for each of them, telling a story about them through the shapes, symbolism, and materials which are unique to them. Combined, the collection will tell a story of how the world sees Kiwis as a whole- through the lens of those most esteemed among us. The purpose is to dispel tall poppy syndrome by celebrating and spreading kiwi success stories – by showing the audience that “Kiwis are capable of greatness. You are capable of greatness.”

The Symbolic Kiwis are wearing plain black clothing – clothing that any Kiwi could be wearing, and are encouraged to wear during the exhibition. Kiwis coming through the exhibition are encouraged to pick up the shapes of the Symbolic Kiwis and recreate their art. Often people like taking photos with art, but it’s rare that they become part of the art – to become part of the story. So, they art essentially recreating the art of their idols – but now they’re in it. It’s about them as an individual. At the end of the exhibition, we print this on an A3 paper for them to take home and hang up on their wall. So they’re taking art of themselves home – because it’s not about the Symbolic Kiwis, it’s about them as an individual. Their personalized art is a reminder that they’re not so different from our Symbolic Kiwis, and that if the Symbolic Kiwis can do it- then so can they!

There’s also a short film within one of the silos, which is a compilation of my interviews with the Symbolic Kiwis. Often successful people are painted as “heros”. I want to show that they’re not that. That they’re just humans – they had childhoods, they had struggles, and that if they can do it, then so can you. There will also be some advice from our Symbolic Kiwis to the people coming through the exhibition.

What was your inspiration behind your latest exhibition?

Kiwis are achieving incredible things on the world stage. We have this narrative of being the underdogs. But hang on – we’re one of like 5 countries in the world where English is our first language (seriously, count them: USA, Canada, England, Australia, NZ). No-one talks about that. That’s a huge advantage. Kiwis aren’t underdogs – we absolutely deserve to be competing with and winning on the world stage. And we are! Symbolically Kiwi enables us to celebrate our success stories, because we don’t really do that as a nation. More than that, it’s about painting our iconic kiwis as just regular kiwis. Because they are just regular kiwis, they come from similar backgrounds, and they have the same struggles. We want to show that if they can do it, then so can you. Truly – anyone can do it, even you, reader!

The purpose of Symbolically Kiwi is to dispel the tall poppy syndrome. My hypothesis for why this exists is two-fold:
People believe that it’s a zero-sum game. That if someone else succeeds, then there’s less room for our own success. | This is, of course, the opposite true. When Peter Beck succeeds, he’s also creating an industry which didn’t exist. When Helen Clark succeeds, she’s paving the way for many more amazing female leaders.
People believe that they’re not capable of the same level of success, so they cut others down instead of rising up. | I believe this is due to “successful” people being portrayed as heroes in the media- and not as normal flawed people with normal childhoods and their own challenges.

So Symbolically Kiwi gets us to realize that when a Kiwi succeeds – we all succeed. That their success is our success. And secondly, that these people are just normal people- and if they can do it, then you can do it. Thereby addressing both the underlying reasons for the tall poppy syndrome.

How did you choose who to feature in Symbolically Kiwi?

What the Symbolic Kiwis have in common is that they’re doing incredible things in a diverse set of fields and have stories which will resonate with the public. NZ is a wonderfully diverse place, so I needed to create a lineup which was representative of that. I tried to assemble a lineup which would allow any Kiwi to walk in and be like “Wow, this person is amazing! They have a similar background to me, they look like me, and if they can do it, then so can I!”

How does your latest exhibition differ from your previous work?

This is certainly my most ambitious project. I’ve been telling stories through shapes before, but not for a collective group of people. What I’m really enjoying about this exhibition also is the material component. To explain that, I need to explain how my art works. My art style is based on how we see as humans. It speaks to something primal within us- something subconscious. When your brain interprets a scene that you’re looking at, it first sees the edges. It then combines the edges into shapes. Finally, it looks at the texture within the shapes to decipher what you’re looking at. Colour doesn’t come into the equation till much later. My geometric art works in the same way, it follows the mechanisms by which you see – before any conscious thought occurs. Symbolism also doesn’t require any conscious thought. What I’m doing with Symbolic Kiwi is distilling their stories down into symbols. You can understand the story on a subconscious level, and then also engage with it at a conscious level.

With the exhibition, you can also engage with the stories on a physical level. You’ll be able to pick up these shapes, these stories, and pose with them; recreating the art of these symbolic kiwis and creating your own story. This is something I’ve thought about for a while, but wasn’t able to pull off till now.

I was previously able to tell stories through shapes and symbolism, but wasn’t able to incorporate the texture component of my art either. With these physical pieces, I now have the opportunity to do that. Each Symbolic Kiwi’s shape is made out of a material unique to them. Peter Beck has carbon fibre for his rockets. JessB’s shape is made out of vinyl records. Kane Williamson’s shape is made out of cricket bat handles and cricket ball leather!

What were your biggest challenges when completing this project? What are you the most proud of?

Ah, so many challenges! Despite having worked with some big names (the estates of Marilyn Monroe, Elvis Presley, and Muhammad Ali), I hadn’t hosted my own exhibition yet. I was also relatively unknown in NZ. So, imagine an unknown artist with no previous exhibitions comes to you and tells you that he’s going to create the biggest art exhibition in NZ and he wants you to be involved. The reaction is what you would expect. Ironically, whilst trying to dispel the tall poppy syndrome, I came up against it.

However, the vision of a NZ where we celebrate success, dream big, and encourage each other to try difficult things, was too enticing- too compelling. Some people eventually had to say yes. As I had more conversations, there were plenty of “no”s (which I ignored). What I’m most proud of is all the “YES”s. There are some fantastic partners without which the exhibition wouldn’t exist. Panasonic said yes, they gave me the camera equipment required to pull this off. Panuku said yes, they gave me a beautiful venue in Silo Park. Mass Design said yes, they helped me fabricate all the artwork and bring it to life. Madusha Adasooriya (Expo Labs) said yes, he helped create all the wonderful marketing assets and the ads that you see. Last, but certainly not least, all 10 Symbolically Kiwis said a big YES. They believed in the vision and thought this would be fantastic for NZ.

So I’m really proud of getting all these fantastic people involved. When we launch the exhibition, I’m going to be immensely proud of our collective efforts and the impact we will have on NZ.

What is your ultimate goal for Symbolically Kiwi?

To dispel the tall poppy syndrome. To inspire thousands of kids to dream BIG and know that they can achieve anything that they set their mind to. To have a society where anyone can dream BIG and be supported by everyone to achieve the greatness that they’re capable of- that we’re all capable of.

CONTRIBUTOR

Ang Nayyar

Artist

Symbolically Kiwi

Kea member


HOW KEA CAN HELP YOUR BUSINESS GROW

Kea Connect

Kea Connect is a free service that will help your business grow offshore. We connect you personally with regional, sector-specific experts and peers.

READ MORE

Resources

Kea is here to help New Zealand businesses grow offshore. Be inspired and hear advice from businesses who have created their export path.

READ MORE

Jobs Portal

Looking for the right talent for your team? Reach our global Kiwi community through the Kea international job portal. 

READ MORE

Filed Under: Businesses growing at home, World changing Kiwi Tagged With: Ang Nayyar, art, Symbolically Kiwi, tall poppy syndrome

Our Partners

ASB Logo

Kea nurtures a vibrant and diverse community who share a strong passion for New Zealand and the success of its people and businesses

  • Home
  • Kea for business
  • Kea for you
  • Jobs
  • Events
  • News & Resources
  • World Class New Zealand
  • About
  • Contact Us
  • Terms & Conditions
  • Privacy Policy
JOIN MY KEA

© 2025 Kea New Zealand