TIME & DATE
Tuesday, July 21, 2026 to Sunday September 6, 20265:00 pm
LOCATION
Glasgow International and the Gallery of Modern Art,Gallery One, GoMA, 111 Queen Street, Royal Exchange Square, G1 3AH
COST
FreeJasmine Togo-Brisby, ‘Liquid Land’ at Glasgow International and the Gallery of Modern Art
*Liquid Land* marks the debut European solo exhibition by Australian South Sea Islander artist Jasmine Togo-Brisby. Created in response to the architectural history of Glasgow’s Gallery of Modern Art, *Liquid Land* presents new site-specific installations and sculptural works. Exploring histories of enslavement and domestic labour whilst tracing relationships across the Pacific, Australia, and wider dialogues about the transatlantic slave trade, these works illuminate the global scope of industries and exploitation.
Spanning sculpture, photography, installation, and video, Jasmine’s multidisciplinary practice is a profound exploration of “blackbirding”, the nineteenth century practice of deceiving or kidnapping Pacific Islanders for forced labour on Australian sugar plantations. Through the optical deception of mirrors, where flashes of light were perceived as signs from the spirit world or communication from ancestors, slave recruiters compelled people out into the water to investigate.
In *Liquid Land*, Jasmine lures with beauty and intrigue, intentionally mimicking the trickery that once weaponised Pacific Islanders’ cultural and spiritual beliefs and curiosity. At the exhibition’s heart is a full-scale recreation of Jasmine’s ancestral home in Australia, originally built by her Ni-Vanuatu ancestors. The thatched hut, modelled after an archival family photograph, houses an oceanic, crow-feathered installation. Throughout *Liquid Land*, Jasmine addresses notions of home, belonging, and retreat within the contradictions of confinement and violence.
Presented by Glasgow International and the Gallery of Modern Art.
Supported by Glasgow International through support from core funders and Henry Moore Foundation, with presentation support from Glasgow Museums. This exhibition is additionally supported by the Glasgow 2026 Festival which is designed to complement the Glasgow 2026 Commonwealth Games, activating the city through culture and sport and inviting everyone to get involved as part of the wider public celebrations.
To find more exhibitions around the world by New Zealand artists, visit ArtNow.NZ
Jasmine Togo-Brisby, ‘Liquid Land’ at Glasgow International and the Gallery of Modern Art
TIME & DATE
Tuesday, July 21, 2026 to Sunday September 6, 20265:00 pm
LOCATION
Glasgow International and the Gallery of Modern Art,Gallery One, GoMA, 111 Queen Street, Royal Exchange Square, G1 3AH
COST
Free*Liquid Land* marks the debut European solo exhibition by Australian South Sea Islander artist Jasmine Togo-Brisby. Created in response to the architectural history of Glasgow’s Gallery of Modern Art, *Liquid Land* presents new site-specific installations and sculptural works. Exploring histories of enslavement and domestic labour whilst tracing relationships across the Pacific, Australia, and wider dialogues about the transatlantic slave trade, these works illuminate the global scope of industries and exploitation.
Spanning sculpture, photography, installation, and video, Jasmine’s multidisciplinary practice is a profound exploration of “blackbirding”, the nineteenth century practice of deceiving or kidnapping Pacific Islanders for forced labour on Australian sugar plantations. Through the optical deception of mirrors, where flashes of light were perceived as signs from the spirit world or communication from ancestors, slave recruiters compelled people out into the water to investigate.
In *Liquid Land*, Jasmine lures with beauty and intrigue, intentionally mimicking the trickery that once weaponised Pacific Islanders’ cultural and spiritual beliefs and curiosity. At the exhibition’s heart is a full-scale recreation of Jasmine’s ancestral home in Australia, originally built by her Ni-Vanuatu ancestors. The thatched hut, modelled after an archival family photograph, houses an oceanic, crow-feathered installation. Throughout *Liquid Land*, Jasmine addresses notions of home, belonging, and retreat within the contradictions of confinement and violence.
Presented by Glasgow International and the Gallery of Modern Art.
Supported by Glasgow International through support from core funders and Henry Moore Foundation, with presentation support from Glasgow Museums. This exhibition is additionally supported by the Glasgow 2026 Festival which is designed to complement the Glasgow 2026 Commonwealth Games, activating the city through culture and sport and inviting everyone to get involved as part of the wider public celebrations.
To find more exhibitions around the world by New Zealand artists, visit ArtNow.NZ

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